Almost pitch-black (aside from the wall lights).
I had to use the fastest only camera/lens combination I had in the room: the tiny-perfect Sony NX30 wide-open @ 26f1.8, full gain (+2.0), 1080 24p. Post-processing in Premiere Pro CS6, using Magic Bullet. Audio was from the mounted shotgun mike and a Sennheiser lav mike taped to a stand facing one of the speakers.
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